Satire in Jonathan Swifts Gullivers Travels :: Gullivers Travels

Satire in Gullivers Travels On the surface, Jonathan Swifts Gullivers Travels appears to be a travel log, do to chronicle the adventures of a man, Lemuel Gulliver, on the four most incredible voyages imaginable. Primarily, however, Gullivers Travels is a work of satire. Gulliver is neither a fully developed character nor counterbalance an altogether distinguishable persona rather, he is a satiric contrivance enabling Swift to score satirical points (Rodino 124). Indeed, whereas the work begins with more item satire, attacking perhaps one political machine or aimed at one particular custom in each instance, it finishes with the most attack onslaught on humanity ever written, satirizing the whole of the human condition. (Murry 3). In order to convey this satire, Gulliver is taken on four adventures, driven by fate, a restless spirit, and the pen of Swift. Gullivers first voyage takes him to the Land of Lilliput, where he finds himself a giant among six inch tall beings. His ne xt journey brings him to Brobdingnag, where his situation is reversed now he is the midget in a land of giants. His third journey leads him to Laputa, the floating island, inhabited by queer (although similarly sized) beings who derive their whole culture from music and mathematics. Gullivers fourth and final exam journey places him in the land of the Houyhnhnm, a society of intelligent, reasoning horses. As Swift leads Gulliver on these four fantastical journeys, Gullivers perceptions of himself and the people and things around him change, broad Swift ample opportunity to inject into the story both ridicule and satire of the England of his day and of the human condition. Swift ties his satire closely with Gullivers perceptions and adventures. In Gullivers first adventure, he begins on a ship that runs aground on a submerged rock. He swims to land, and when he awakens, he finds himself tied crush to the ground, and surrounded by tiny people, the Lilliputians. Irony is present f rom the start in the simultaneous recreation of Gulliver as giant and prisoner (Reilly 167). Gulliver is surprised at the intrepidity of these diminutive mortals, who dare venture to mount and walk upon my bole (I.i.16), but he admires this quality in them. Gulliver eventually learns their language, and arranges a tailor with them for his freedom. However, he is bound by this agreement to protect Lilliput from invasion by the people of Blefuscu.